{"id":879,"date":"2021-06-28T08:25:54","date_gmt":"2021-06-28T08:25:54","guid":{"rendered":"https:\/\/panepica.si2.dev\/?page_id=879"},"modified":"2022-07-10T17:50:27","modified_gmt":"2022-07-10T17:50:27","slug":"otras-ediciones","status":"publish","type":"page","link":"https:\/\/panepica.si2.dev\/en\/recursos\/ediciones\/ediciones-del-poema-de-mio-cid\/otras-ediciones\/","title":{"rendered":"Otras ediciones"},"content":{"rendered":"<figure class=\"wp-block-image alignright size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/panepica.si2.dev\/wp-content\/uploads\/2021\/06\/img002-120-1-625x1024.png\" alt=\"\" class=\"wp-image-883\" width=\"313\" height=\"512\" srcset=\"https:\/\/panepica.si2.dev\/wp-content\/uploads\/2021\/06\/img002-120-1-625x1024.png 625w, https:\/\/panepica.si2.dev\/wp-content\/uploads\/2021\/06\/img002-120-1-183x300.png 183w, https:\/\/panepica.si2.dev\/wp-content\/uploads\/2021\/06\/img002-120-1-768x1259.png 768w, https:\/\/panepica.si2.dev\/wp-content\/uploads\/2021\/06\/img002-120-1.png 800w\" sizes=\"(max-width: 313px) 100vw, 313px\" \/><figcaption>Francisco A. Marcos Mar\u00edn, <em>Cantar de mio Cid<\/em>, 1997<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">El <em>Poema de mio Cid<\/em> es uno de los cl\u00e1sicos m\u00e1s editados, y de \u00e9l pueden encontrase decenas de ediciones desde la pionera y primera de <strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">Tom\u00e1s Antonio S\u00e1nchez<\/mark><\/strong> en 1779. Especialmente interesantes para los prop\u00f3sitos de Pan\u00e9pica resultan tres ediciones realizadas por ling\u00fcistas: las de Francisco A. Marcos Mar\u00edn, Jos\u00e9 Jes\u00fas de Bustos Tovar y la de Jos\u00e9 Luis Gir\u00f3n y Virginia P\u00e9rez Escribano. Las tres tienen en com\u00fan el estar a cargo de destacados disc\u00edpulos de Rafael Lapesa,\u00a0 de ofrecer mayor espacio a las cuestiones ling\u00fc\u00edsticas que el que dedican las ediciones a cargo de especialistas en literatura y de defender, actualizados, los planteamientos de Men\u00e9ndez Pidal. Las ediciones de Bustos y Gir\u00f3n \/ P\u00e9rez Escribano est\u00e1n destinadas a un publico m\u00e1s amplio que la de Marcos Mar\u00edn (la segunda, publicada en la colecci\u00f3n Castalia Did\u00e1ctica, est\u00e1 pensada para alumnos de secundaria), m\u00e1s apta para especialistas, primero por el mayor grado de exhaustividad y complejidad de las notas, y segundo por el caracter semipaleogr\u00e1fico de la edici\u00f3n, si bien esta se acompa\u00f1a de una versi\u00f3n del texto al espa\u00f1ol moderno. Los estudios introductorios de\u00a0 las ediciones de Bustos y Gir\u00f3n resultan \u00fatiles como s\u00edntesis sobre la lengua del <em>Poema<\/em>, el estudio preliminar de Marcos Mar\u00edn y el conjunto de notas ofrecen una interesante aproximaci\u00f3n ling\u00fc\u00edstica a muchos de los aspectos m\u00e1s debatidos e interesantes del texto (naturaleza de los diptongos, &#8211;<em>e<\/em> parag\u00f3gica, patron\u00edmicos, arca\u00edsmos, etc.), as\u00ed como valiosas reflexiones ecd\u00f3ticas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bustos\u00a0Tovar, Jos\u00e9 Jes\u00fas de (ed.).\u00a0<em>Poema de mio Cid<\/em>, Madrid, Alianza, 2005.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gir\u00f3n\u00a0Alconchel, Jos\u00e9 Luis; Virginia P\u00e9rez Escribano.\u00a0<em>Cantar de Mio Cid<\/em>, 2<sup>a<\/sup> ed., Madrid, Castalia, Madrid, 2009 (col. Castalia Did\u00e1ctica, 35).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marcos\u00a0Mar\u00edn, Francisco A. (ed.).\u00a0<em>Cantar de Mio Cid<\/em>, Madrid, Biblioteca Nueva, 1997.<\/p>","protected":false},"excerpt":{"rendered":"<p>El Poema de mio Cid es uno de los cl\u00e1sicos m\u00e1s editados, y de \u00e9l pueden encontrase decenas de ediciones desde la pionera y primera de Tom\u00e1s Antonio S\u00e1nchez en 1779. Especialmente interesantes para los prop\u00f3sitos de Pan\u00e9pica resultan tres ediciones realizadas por ling\u00fcistas: las de Francisco A. Marcos Mar\u00edn, Jos\u00e9 Jes\u00fas de Bustos Tovar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1076,"menu_order":26,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-879","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/pages\/879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/comments?post=879"}],"version-history":[{"count":6,"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/pages\/879\/revisions"}],"predecessor-version":[{"id":1202,"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/pages\/879\/revisions\/1202"}],"up":[{"embeddable":true,"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/pages\/1076"}],"wp:attachment":[{"href":"https:\/\/panepica.si2.dev\/en\/wp-json\/wp\/v2\/media?parent=879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}